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INTERDISCIPLINARY PROGRAMS
Film Studies
Main Office: 526 Cathedral of Learning
(412) 624-6564 (phone) (412) 624-6639 (fax)
http://www.pitt.edu/~filmst
Director: Lucy Fischer
Affiliated Faculty: Professors BEVERLEY (Hispanic Languages and Literatures),
FEUER (English), FISCHER (English), HAKE (Germanic Languages
and Literatures), LANDY (English), MacCABE (English), McDONALD
(East Asian Languages and Literatures); Associate Professors BREIGHT
(English), CLARK (Communication), CONDEE (Slavic Languages
and Literatures; Director, Cultural Studies), LU (East Asian Languages
and Literatures), PADUNOV (Slavic Languages and Literatures), STABILE
(Communication), WATTS (French and Italian Languages and Literatures);
Assistant Professor LUCKETT (English); Instructor JUDSON
(Curator of Film and Video, The Carnegie Museum of Art)
The Film Studies Program was established at the University of Pittsburgh
in the early 1970s in response to cinema's growing influence as a vital academic
field. The focus of the program has been one of critical studies-the examination
of cinema as a major art form and cultural force of the 20th century. From
its inception, the Film Studies curriculum was formulated on an interdisciplinary
model-drawing upon faculty expertise in such areas as literature, fine arts,
social science, and foreign cultures. This approach is appropriate for a medium
that circulates internationally (within a complex socio-economic context),
and merges both visual and verbal discourses. Because of the program's vigorous
interdisciplinary focus, it has built strength in several broad areas: (a)
the consideration of crucial themes and theoretical issues that have come
to dominate the Film Studies field; (b) the examination of issues related
to film genre; (c) the investigation of questions of national cinema and film
and politics.
Graduate certificate programs in Film Studies were established in 1997 at
both the master's and doctoral levels. They are available to all Faculty of
Arts and Sciences students registered for graduate degree program in any FAS
department. The certificate programs address the needs of both the student
who will focus on Film Studies (for example, in a dissertation or master's
thesis) and the student who wishes training in Film Studies as a sub-specialty
(while concentrating on another academic area). The courses and research paper
delineated in the certificate requirements provide the student with a coherent
program in Film Studies appropriate to his/her level of graduate study. For
course offerings and advising, the graduate certificate programs draw upon
faculty from various FAS departments, including Communication, History of
Art and Architecture, East Asian, English, German, Hispanic, and Slavic.
For the prospective student interested in Film Studies, the University and
the city of Pittsburgh have much to offer. The University has a strong undergraduate
Film Studies major which provides numerous advanced courses that a graduate
student may wish to audit or take in order to make up any gaps in his/her
previous education. Some graduate students avail themselves of the University's
connection with Pittsburgh Filmmakers (which teaches film, video and photography),
so as to acquire basic production experience (despite the fact that they do
not receive graduate credit for such course work). The program has a close
relationship with the Film and Video Department of The Carnegie Museum of
Art as its curator, William Judson, is an adjunct instructor in the Department
of History of Art and Architecture. The Carnegie often collaborates with the
University on a variety of stimulating film and video series and, for the
last several years, the Film Studies Program has offered a one-year graduate
internship at the museum so that students may acquire concrete curatorial
experience. The Andy Warhol Museum also runs a regular film series that focuses
on avant-garde cinema as well as on the work of the museum's namesake. The
city has a variety of additional interesting film venues that supplement mainstream
exhibition: Pittsburgh Filmmakers at the Harris Theater and Melwood Screening
Room, the Beehive, the Gay and Lesbian Film Festival, the Three Rivers Film
Festival, etc.
Admission to Graduate Studies
All students who wish to enroll in the graduate certificate programs in Film
Studies (master's or PhD) must be matriculated for a graduate degree (master's
or PhD) in a department of the Faculty of Arts and Sciences. The certificates
are awarded in conjunction with a degree from an FAS department. (Film Studies
is a program.)
Eligibility for Master's Certificate: Students engaged in a master's
program at the University can enroll in the Film Studies master's certificate
program at any point in the course of their study by filing the proper form
with the Film Studies Program Director.
Eligibility for Doctoral Certificate: Students engaged in a doctoral
program at the University can enroll in the Film Studies doctoral certificate
program at any point in the course of their study by filing the proper form
with the Film Studies Program Director. The doctoral certificate is awarded
only after the completion of all degree requirements for the PhD in the student's
home department, school, or program.
Graduate Student Support
There is no financial aid available specifically for the graduate Film Studies
certificate programs. However, graduate students who enroll for the certificate
program can apply for financial aid from their home department (that is, the
department in which they will receive a master's or doctoral degree). Such
aid typically takes the form of scholarship, fellowship, teaching assistantships
and/or graduate student assistantships.
Master's Certificate Requirements
Course Work
Four Film Studies courses (12 credits) including:
Core Course: Film History/Theory (ENGLIT 2451);
Three Electives: at least one outside the student's home department;
representing at least two areas of study (for example-national cinema, theory/themes,
genre, etc.).
Research Paper
The certificate requires the student to write a research paper in the field
of Film Studies (approximately 25-30 pages) to be evaluated by a three-person
committee comprised of Film Studies Program faculty appointed by the Director
(including at least one person in, and one person outside of the student's home
department). The paper should be developed from a course paper or from a section
of the student's master's thesis (if one is required by the home department).
If the student has worked with a Film Studies faculty member on an earlier version
of the paper, that faculty member should be on the committee. Guidelines will
be provided for the research paper and it is advised that students discuss this
requirement with an advisor or the Program Director well in advance of submission.
Additional Conditions
- Only one directed study course (supervised by a Film Studies faculty) may
be counted toward the certificate.
- All courses must be passed with a "B" or higher.
- The Museum Internship (ENGLIT 2900-2901) is not applicable to the master's
certificate.
- Students should notify the Program Director of their intention to file
for graduation at the beginning of their final term.
Advising/Oversight
The Film Studies Program Director will advise students and keep records. A Graduate
Steering Committee will be constituted to deal with ongoing curricular and administrative
issues and to evaluate special students.
Doctoral Certificate Requirements
Course Work
Six Film Studies courses (18 credits) including:
Core Course: Film History/Theory (ENGLIT 2451);
Five Electives: at least two outside the student's home department
representing at least two areas of study (for example-national cinema, theory/themes,
genre, etc.).
Research Paper
The certificate requires a research paper in the field of Film Studies (approximately
25-30 pages in length) to be evaluated by a three-person committee comprised
of Film Studies faculty appointed by the Program Director (including at least
one person in and one person outside the student's home department). The paper
should be developed from a course paper or from a section of the student's
master's thesis (if one is required by the home department). If the student
has worked with a Film Studies faculty member on an earlier version of the
paper, that faculty member should be on the committee. Guidelines will be
provided for the research paper and it is advised that students discuss this
requirement with an advisor or the Program Director well in advance of submission.
Additional Conditions
- Only two directed study courses (supervised by Film Studies faculty)
can be counted toward the certificate.
- All courses must be passed with a "B" or higher.
- Only three credits of the Museum Internship (ENGLIT 2900-2901-six credits)
can count toward the certificate.
- Students should notify the Program Director of their intention to file
for graduation at the beginning of their final term.
Advising/Oversight
The Film Studies Program Director will advise students and keep records. A
Graduate Steering Committee will be constituted to deal with ongoing curricular
and administrative issues and to evaluate special students.
Special Student Status Pertaining to Master's and Doctoral Certificates
After the certificate program has been instituted, if present University of
Pittsburgh graduate students have already done all course work for a certificate
and wish to obtain it, they can simply notify the Program Director of their
intent to file for one. The only issue that would need to be addressed is
the research paper (which, under normal circumstances, would be evaluated
by a committee formed earlier in the student's career). For those students,
a committee would be formed including the Program Director, a former professor
of the student (who is part of the Film Studies Graduate Faculty), and one
member of the Graduate Steering Committee. They would review a paper submitted
by the student.
Students who have already graduated from the University prior to the certificate
program's institution but who feel they have completed the requisite work
for a certificate would need to have their course work and a research paper
evaluated by the Program Director, a former professor of the student (who
is part of the Film Studies Graduate Faculty), and one member of the Graduate
Steering Committee. If a former professor is not available, a second member
of the Graduate Steering Committee will be asked to participate instead. In
order to work on their research paper, they will have to enroll for at least
one credit during one academic term. There will be a one-year time limit for
this procedure (one year following the inception of the program).
If a student has graduated from the University but wishes to be readmitted
to complete courses and/or research paper for a graduate certificate in Film
Studies, he or she must consult FAS Graduate School policy to determine the
feasibility of readmission as a Special Student. In addition, the Film Studies
Graduate Steering Committee would decide, on a case-by-case basis, the suitability
of each candidate for working toward the graduate certificate. The only students
considered for this option would be those who graduated prior to the institution
of the certificates. Such students would have one year after graduation to
file.
Transfer Credits
Whether students who have transferred from another institution would be given
credits in general (toward their University of Pittsburgh degree) would be
decided by FAS Graduate Studies, Student Services (140 Thackeray Hall) and/or
the department in which they were enrolled.
Whether such credits (if granted) would be counted toward the Film Studies
certificates would be determined, on a case-by-case basis, by the Film Studies
Graduate Steering Committee. For the master's certificate, no more than six
(out of 12) credits could be transferred. For the doctoral certificate, no
more than nine (out of 18) could be transferred.
Facilities
Film Studies classes are taught in a variety of easily-accessible, media-equipped
classrooms on the University campus (David Lawrence Hall, Forbes Quadrangle,
Cathedral of Learning). Such rooms provide 16mm projection, videotape and laserdisk
projection, 35mm slide projection, audiotape amplification, computer graphics,
etc.
Hillman Library has an excellent collection of scholarly books and journals
in the area of Film Studies. In addition, it houses a media center with a
large collection of films, videotapes and videodisks that are available for
viewing on the premises. The Film Studies Program also has a media room in
the Cathedral of Learning which graduate students may use to view videotapes/disks
for research or teaching. The media room also houses additional equipment
(for example-computer, color scanner, tri-standard video player, slide projector,
etc.).
Research
The University of Pittsburgh's Graduate Faculty in Film Studies is highly published
and has a strong national reputation. Most faculty members are the author of
several books and numerous articles in scholarly journals. Most are regular
participants in the national and international academic conference and lecture
circuit. As evidence of its dynamic status in the field, the University has
twice hosted the annual conference of the Society for Cinema Studies-the major
academic organization in the discipline. Furthermore, several faculty have held
prominent offices within the organization (president, vice-president, treasurer,
executive council members, etc.). Others are renowned for organizing national
and international conferences, symposia, and film exhibition events. Many serve
on the editorial boards of established journals and university presses.
Related Activities
The Film Studies Program sponsors (or cosponsors with other programs and departments)
a series of lectures by scholars and visits by filmmakers during the course
of the academic year. The program also sponsors the Pittsburgh Film Colloquium
(run by graduate students) which organizes monthly film events in the broader
Pittsburgh film community.
Courses
NOTE: The following list does not take account of courses that might be developed
in the future. Faculty listed next to each course have taught the course in
the past. Clearly, others might teach it in the future.
|
CORE COURSE
|
|
English Literature (ENGLIT)
|
| 2451 |
FILM HISTORY AND THEORY |
3 CR. |
LANDY |
| |
|
|
|
| ELECTIVE COURSES |
| Chinese (CHIN) |
| 2065 |
SOURCES ON EAST ASIA: CHINESE NEW WAVE CINEMA |
3 CR. |
LU |
| |
|
|
|
| Rhetoric and Communication (COMMRC) |
| 2226 |
MEDIA AND CULTURAL STUDIES |
3 CR. |
CLARK/STABILE |
| 2227 |
MEDIA THEORIES: FEMINIST MEDIA STUDIES |
3 CR. |
CLARK/STABILE |
| 2227 |
MEDIA THEORIES: POSTMODERNISM |
3 CR. |
CLARK/STABILE |
| 2227 |
MEDIA THEORIES: READING TELEVISION |
3 CR. |
CLARK |
| 2229 |
MEDIA AND GLOBAL CULTURES |
3 CR. |
CLARK/STABILE |
| 3325 |
SEMINAR IN MASS COMMUNICATION |
3 CR |
CLARK |
| 3326 |
SEMINAR IN MEDIA STUDIES: BARHTES, DE CERTEAU AND BOURDIEU |
3 CR. |
CLARK |
| |
|
|
|
| English Literature (ENGLIT) |
| 2021 |
HISTORY AND SPECTACLE |
3 CR. |
LANDY |
| 2043 |
THEORY OF POPULAR CULTURE: SEXUALITY AND REPRESENTATION IN FICTION FILM |
3 CR. |
LANDY |
| 2127 |
SHAKESPEARE, CINEMA AND SOCIETY |
3 CR. |
BREIGHT |
| 2282 |
HISTORY OF AMERICAN FILM 1 |
3 CR. |
|
| 2460 |
FILM AND LITERATURE |
3 CR. |
FISCHER |
| 2461 |
GENRE AND FILM |
3 CR. |
FEUER |
| 2463 |
CINEMA AND NATION |
3 CR. |
FISCHER/LANDY |
| 2464 |
MASCULINITY IN CINEMA |
3 CR. |
FEUER |
| 2465 |
CINEMA, COMEDY AND SOCIETY |
3 CR. |
FISCHER |
| 2466 |
FILM AND MODERNISM |
3 CR. |
FISCHER/KNAPP |
| 2470 |
WOMEN AND FILM |
3 CR. |
FISCHER |
| 2471 |
MATERNAL DISCOURSE IN FILM AND LITERATURE |
3 CR. |
FISCHER |
| 2472 |
BLACK IMAGES IN AMERICAN CINEMA |
3 CR. |
|
| 2477 |
CLASSICAL HOLLYWOOD CINEMA |
3 CR. |
|
| 2589 |
TOPICS IN ENGLISH STUDIES: THE STAR, PERFORMANCE AND FAN CULTURE |
3 CR. |
FEUER |
| 2609 |
MELODRAMA |
3 CR. |
FEUER/LANDY |
| 2900 |
MUSEUM INTERNSHIP-FILM/VIDEO 1 |
3 CR. |
FISCHER/JUDSON |
| 2901 |
MUSEUM INTERNSHIP-FILM/VIDEO 2 |
3 CR. |
FISCHER/JUDSON |
| 3104 |
MADE IN U.S.A.: AMERICA IN FRENCH CULTURE, 1945-68 |
3 CR. |
MACCABE |
| 3160 |
FILM THEORY/LITERARY THEORY |
3 CR. |
FISCHER |
| 3161 |
CINEMA AND DESIRE |
3 CR. |
FISCHER |
| 3165 |
THEORIES OF NATIONAL CINEMA |
3 CR. |
FISCHER/LANDY |
| 3461 |
GENRE AND FILM MELODRAMA |
3 CR. |
LANDY |
| 3475 |
THE BODY IN CINEMA |
3 CR. |
FISCHER |
| |
|
|
|
| German (GER) |
| 2882 |
TOPICS IN GERMAN CINEMA |
3 CR. |
HAKE |
| 2884 |
WEIMAR CINEMA |
3 CR. |
HAKE |
| 2886 |
FILM IN THE THIRD REICH |
3 CR. |
HAKE |
| |
|
|
|
| Spanish (SPAN) |
| 2452 |
CONTEMPORARY LATIN AMERICAN FILM |
3 CR. |
BEVERLEY |
| 2580 |
CONTEMPORARY HISPANIC FILM |
3 CR. |
BEVERLEY |
| |
|
|
|
| Russian (RUSS) |
| 2453 |
THAW AND PERESTROIKA |
3 CR. |
CONDEE/PADUNOV
|
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