[ Table of Contents | Graduate Arts and Sciences Home | Bulletins Homepage | Next Section ]


  • History of Art and Architecture
    Department Chair: David G. Wilkins
    Main Office: 104 Frick Fine Arts
    (412) 648-2400 (phone) (412) 648-2792 (fax)
    http://www.pitt.edu/~arthome/index.html

    Primary Faculty: Professors HARRIS, HEARN (Director, Architectural Studies), LINDUFF, SHEON, STONES, TOKER, WILKINS (Chair), WILLIAMS (Visiting Andrew Mellon Professor); Associate Professors McCLOSKEY, SAVAGE (Director of Graduate Studies), WEIS; Assistant Professor McKELWAY

    Affiliated Faculty (Adjunct faculty and those with primary appointments in other areas): Professor RIMER (Chair, East Asian Languages and Literatures); Instructor JUDSON (Curator of Film and Video, Carnegie Museum of Art)

    The Henry C. Frick Department of the History of Art and Architecture offers graduate programs leading to the MA and PhD degrees. These programs offer a concentration in the fields of early modern art and architecture (medieval through 17th-century Baroque), modern and contemporary art and visual culture (late-18th century to the present), and East Asian art and archeology (China and Japan). The programs are supported and enriched by interdisciplinary certificate programs at the University, by local museum collections, and by a non-circulating research library located in the Henry Clay Frick Fine Arts Building. Advanced graduate students are able to establish a teaching portfolio and are encouraged to present papers at professional conferences and to publish original research.

  • Admission to Graduate Studies
    Admission to the MA program
    To undertake graduate work in the department, a student should normally have the following preparation: (1) completion of an undergraduate major in a discipline in the humanities with no less than a strong minor in art history (at least 12 credits with a B average in upper-division courses); (2) completion of one major European language through the intermediate college level with a grade of B or better for students of Western art; students in Asian art should have begun work in Chinese and/or Japanese. Exceptions are made in the case of superior students who have incomplete preparation in one of these areas, but not both.

    Applicants must provide the following:

    • A statement of intellectual and professional goals and a short essay on why the applicant wants to study in the department.

    • A term paper or comparable demonstration of an ability to present the results of scholarship.

    • Evidence of language preparation.

    • Three letters of reference.

    • Certified scores on the aptitude sections of the Graduate Record Examination (GRE), and, if applicable, on the TOEFL.
  • Admission to the PhD program
    Students who intend to pursue a PhD degree must complete the MA program in Art History at the University of Pittsburgh or a comparable MA program at another institution. Application to the PhD program must be made by January 15 and should include the following:
    • A statement of intellectual and professional goals and a short essay describing the projected dissertation area. Applicants should have a clear idea of their area of study and should have discussed their plans with an appropriate member of the faculty to ensure that he or she will agree to sponsor the application.

    • An MA thesis, or if this is not available, a substantive demonstration of the student's ability to present the results of scholarship.

    • Evidence of language preparation. Students matriculating from the MA program at the University of Pittsburgh must have a demonstrated proficiency in at least two foreign languages relevant to the proposed dissertation area; students entering the program from another institution must pass two language exams within the first year of residence to remain eligible for financial aid.

    • Three letters of reference.

    • Applicants from outside the University of Pittsburgh must provide certified scores on the aptitude sections of the Graduate Record Examination (GRE), and, if applicable, on the TOEFL.
  • Graduate Student Support
    Financial aid is available for a maximum of two years for the MA degree and for three years for the PhD degree. The most common form of aid is a teaching assistantship (at the MA level) and a teaching fellowship (at the PhD level), both of which pay tuition and fees and a stipend for living expenses. Fellowships from the University without teaching obligations are also available on a competitive basis to exceptionally qualified applicants.

    Students who wish to be considered for financial aid must apply to the graduate program by January 15.

  • Master’s Degree Requirements
    Foreign Language Requirement: Demonstrated reading ability in one foreign language. A major European language is required for students of Western art; Chinese or Japanese for students of Asian art. The requirement can be met either by departmental exam or by completing an appropriate level course at the University with a grade of B+ or better. The requirement must be passed in the first year to maintain eligibility for financial aid.

    Minimum Course Work Requirement: Twenty-seven credits (typically nine courses) at the 1000 level or above. Twenty-four of these credits must be in art history and three credits in a cognate course outside art history, as approved by the department. Six credits may be transferred from another approved graduate program. No more than two incomplete grades may appear on the transcript, and the minimum final QPA is 3.00.

    Within the minimum course work requirement, there are two requirements that ensure the student's breadth and depth of preparation:

    1. Research seminars: Four research seminars are required, comprising 12 of the 27 credits required for the degree. Research seminars are 2000-level courses designed to introduce students to a body of scholarly literature and allow them to write an original research paper. At least two such seminars must be taken in the first year of residence.

    2. Distribution requirement: The research seminars must cover at least three of the department's five major teaching areas: Asian, Medieval, Renaissance/Baroque, Modern/Contemporary, and Architecture. If not already met by the distribution of research seminars, a further requirement for students of Western art is to take at least one graduate-level course in Asian art (1000-level or above); students of Asian art must take at least one graduate-level course in Western art. In special cases, the latter requirement may be fulfilled by taking a cognate course.

    Thesis: The final requirement for the MA degree is an original research paper, produced under the supervision of two faculty readers and deemed satisfactory by a majority vote of the full faculty in residence. Typically, the thesis is a substantially revised version of a paper produced in a research seminar. It must be submitted no later than November 1 or March 1 of the term in which the degree is expected.

  • Doctoral Degree Requirements
    Foreign Language Requirement: PhD students must have certified reading proficiency in at least two foreign languages relevant to their field of study. Students matriculating from the MA to the PhD program must fulfill this requirement before applying to enter the PhD program. Students entering the PhD program with an MA from an outside institution must fulfill the requirement in their first year of study to maintain eligibility for financial aid.

    Depending on the student's field of study, more than two foreign languages may be necessary to carry out advanced research. In this case, additional language study may be required, as determined by the student and his/her dissertation committee.

    Minimum Course Work Requirement: A total of 72 credits are required for the PhD degree, of which 27 may be transferred from the MA program at the University of Pittsburgh or 24 from MA programs in art history at other institutions. At the PhD level, 18 credits (typically six courses) must consist of graduate-level lecture courses (1000-level or above) or seminars (2000-level or above), in either art history or cognate disciplines relevant to the student's field of study. The remaining credits may be comprised of independent study and dissertation research, subject to the approval of the student's dissertation committee.

    Core Course: A core course in theory and methodology (HAA 2005) is required of all PhD students. Students matriculating from the MA program must take the course at the MA level before applying to the PhD program. Students entering the PhD program from another institution must take the course in their first year of study.

    Dissertation Committee: In the first term of PhD study, the student must assemble a dissertation committee consisting of the faculty advisor, who serves as the dissertation director, and at least two other faculty members from the Department of History of Art and Architecture. (The Department Chair serves ex officio on the committee and may be counted as one of the three required members.) This committee must approve the student's dissertation topic, program of study, and the areas for comprehensive examination.

    Annual meetings of the dissertation committee, to be chaired by the faculty advisor, are required by the University until the student finishes the degree or withdraws from the program.

    Comprehensive Examination: The comprehensive examination is normally taken at the end of the second year in the PhD program. The examination committee (normally the same as the dissertation committee) tests the student in three areas which are usually conceived as broad research fields relevant to the student's dissertation. The examination consists of three written exams of four hours each, one written exam for each area, and one oral exam ranging over all three areas.

    In some cases, one of the three examination areas may be a field related to another research interest or to a teaching interest.

    Advancement to Candidacy: Students advance to candidacy for the PhD degree after they have passed their comprehensive examination and after their dissertation prospectus has been approved. The prospectus should define the dissertation topic, its relationship to the state of the field, the methodology of the dissertation, and the student's plan of research. The purpose of the dissertation prospectus is to demonstrate that the student has covered the basic literature on the topic and is ready to undertake independent dissertation research and writing.

    When the prospectus is submitted, the dissertation committee is enlarged to include one additional member from outside the Department of History of Art and Architecture, normally from a cognate discipline in which the student has worked. (The committee may be further reconstituted at this stage if so desired.) Each member of this expanded committee must approve the dissertation prospectus by signing the student's formal application to PhD candidacy. The signed application must be filed while the student is still registered and at least eight months before the dissertation defense.

    Dissertation: The final requirement for the PhD degree is the dissertation itself. While writing the dissertation, the student should continue to work closely with the dissertation committee. All students, even those not in residence, are required to submit annual progress reports to their committee by September 1. When the student has completed a satisfactory draft of the dissertation, the student and his/her committee schedule a dissertation defense, which is conducted as an oral examination by the committee. The committee may accept the dissertation as written or may require revisions. Once the committee has accepted the dissertation, the student must file a copy with appropriate illustrations and captions in accordance with University regulations on format and materials.

    Students who enter the PhD program from the MA program at the University of Pittsburgh have 10 calendar years from their first registration for graduate study in which to complete the PhD degree; students who enter the PhD program from another MA program have eight calendar years. Students who do not meet these deadlines must apply for an extension of their statute of limitations before their term expires; applications are evaluated by the University on a case-by-case basis. Students who do not complete the degree within 10 years after the comprehensive examination are required to retake the examination.

  • Programs
    MA Program
    The MA program is a two-year program designed to give students a broad grounding in the methods and subject areas of art history. The program emphasizes the development of research and writing skills through a series of research seminars and a final thesis requirement. In addition, most MA students get substantial teaching experience and some continue to teach in college and museum programs after graduation. The city of Pittsburgh has museums and other institutions that offer opportunities for professional internships in a variety of areas. Opportunities are also increasingly available to acquire experience with digital imaging systems.

    In recent years, students with the MA degree have competed successfully for a variety of museum positions in Pittsburgh and elsewhere, and have taught at colleges and universities.

    PhD Program
    The PhD program is designed to train students for serious scholarship in conjunction with academic and museum careers. Students concentrate in one of three fields: early modern art and architecture (medieval through 17th-century Baroque); modern and contemporary art and visual culture (late-18th century to the present); and East Asian art and archeology (China and Japan). For the most current information on the three program areas, consult our Web page.

    Students in each field choose a research specialization (for example, late-medieval manuscripts or German expressionism) but at the same time train broadly in order to be able to teach across the entire field (for example, the medieval or modern field). Each field thus combines the traditional research focus of a PhD with a more broadly marketable knowledge and teaching ability. PhD students are expected to leave the program not only with an impressive dissertation but with a substantial teaching portfolio of courses both taught and envisioned.

    Each of the three fields is supported by interdisciplinary certificate programs at the University. These include Medieval and Renaissance Studies, Cultural Studies, Women's Studies, and Area Studies programs coordinated through the University Center for International Studies (UCIS), specifically, East Asian Studies, Latin American Studies, Russian and East European Studies, and West European Studies. These opportunities for interdisciplinary study enhance the student's marketability.

    Our PhD students have secured tenure-track teaching positions across the country and have also held positions as museum curators, editors, and professionals in cultural resource management.

  • Facilities
    The department is located in its own building, the Henry Clay Frick Fine Arts Building, on the edge of Schenley Park. The building also houses the Studio Arts department, the University Art Gallery, and the Frick Fine Arts Library, a noncirculating research library in art and architecture that is one of the oldest and finest of its kind in the country. In addition, the department has a visual resources collection of over 350,000 slides and a growing database of digital images. A computer facility in the building is currently available to graduate students for communications and word-processing and a full-fledged computer lab is available in the Fine Arts Library.

    Across the street from the Fine Arts Building is the Carnegie Museum of Art and Carnegie Library, both institutions with fine collections that complement the facilities of the department. Elsewhere in the area are high-quality museums, galleries, and important architectural and historic sites.

  • Research
    In the past five years, individual faculty have published, among other things, a textbook of world art and scholarly books on George Grosz, American public monuments, and Spanish medieval manuscripts. Major research projects are currently under way in Chinese archeology, medieval manuscripts, the architecture of medieval Florence, architectural theory, Italian Renaissance patronage, and 17th-century painting and drawing.

    Graduate students have published articles on such topics as Renaissance portraiture, California architecture, and Chinese art and archeology. They have given papers at professional conferences in virtually every field represented by the department.

    For current information on the research activities of faculty and students, consult our Web page.

  • Courses      
  • 1010 APPROACHES TO ART HISTORY 3 CR.  
    1020 MUSEUM STUDIES EXHIBITION SEMINAR 3 CR.  
    1040 HISTORY OF ARCHITECTURE THEORY 3 CR.  
      Prerequisite: HA&A 0040    
    1100 SPECIAL TOPICS: ANCIENT 3 CR.  
    1103 PREHISTORIC ART 3 CR.  
    1106 PRE-COLUMBIAN ART 3 CR.  
    1110 GREEK ART 3 CR.  
      Cross-listed with CLASS 1510    
    1120 GREEK ARCHEOLOGY 3 CR.  
      Cross-listed with CLASS 1610    
    1130 ROMAN ART 3 CR.  
      Cross-listed with CLASS 1520    
    1140 ROMAN ARCHEOLOGY 3 CR.  
      Cross-listed with CLASS 1620    
    1150 ROMAN SCULPTURE 3 CR.  
      Cross-listed with CLASS 1522    
    1160 ROMAN ARCHITECTURE 3 CR.  
      Cross-listed with CLASS 1524    
    1200 SPECIAL TOPICS: MEDIEVAL 3 CR.
    1201 SPECIAL TOPICS: ROMANESQUE 3 CR.
    1202 SPECIAL TOPICS: GOTHIC 3 CR.
    1210 MEDIEVAL ICONOGRAPHY 3 CR.
      Prerequisite: HA&A 0050  
    1212 PALAEOGRAPHY 3 CR.
      Cross-listed with M&RST 1076  
      Prerequisite: HA&A 0050  
    1215 MEDIEVAL MANUSCRIPT ILLUMINATION 3 CR.
      Prerequisite: HA&A 0050  
    1220 EARLY CHRISTIAN/BYZANTINE ARCHITECTURE 3 CR.
    1230 EARLY MEDIEVAL ART 3 CR.
    1235 ENGLISH MEDIEVAL ARCHITECTURE 3 CR.
      Prerequisite: HA&A 0040 or HA&A 0050  
    1240 ROMANESQUE ARCHITECTURE 3 CR.
      Prerequisite: HA&A 0040 or HA&A 0050  
    1245 ROMANESQUE SCULPTURE 3 CR.
    1250 GOTHIC ARCHITECTURE 3 CR.
      Prerequisite: HA&A 0040 or HA&A 0050  
    1255 GOTHIC ART 3 CR.
      Prerequisite: HA&A 0050  
    1258 ITALIAN GOTHIC ART 3 CR.
    1300 SPECIAL TOPICS: RENAISSANCE 3 CR.
    1301 SPECIAL TOPICS: BAROQUE 3 CR.
    1304 16TH-CENTURY ITALIAN PAINTING 3 CR.
    1305 EARLY RENAISSANCE ARCHITECTURE 3 CR.
    1306 HIGH RENAISSANCE ARCHITECTURE 3 CR.
    1307 PAINTING IN 17TH-CENTURY HOLLAND 3 CR.
    1308 ITALIAN 17TH-CENTURY PAINTING 3 CR.
    1400 SPECIAL TOPICS: MODERN 3 CR.
    1401 SPECIAL TOPICS: CONTEMPORARY 3 CR.
    1404 MODERN SCULPTURE 3 CR.
    1405 18TH-CENTURY ART 3 CR.
    1406 HISTORY OF GRAPHIC ART 3 CR.
    1408 CLASSICAL TRADITION IN ARCHITECTURE 3 CR.
      Prerequisite: HA&A 0040 or 0150  
    1410 REALISM AND IMPRESSIONISM 3 CR.
    1411 MODERNISM 3 CR.
    1440 EXPRESSIONISM 3 CR.
    1443 KAETHE KOLLWITZ: POLITICS AND FEMINISM 3 CR.
    1450 ART IN THE WEIMAR REPUBLIC 3 CR.
    1480 ARCHITECTURE SINCE 1945 3 CR.
      Prerequisite: HA&A 0040  
    1490 ART SINCE 1945 3 CR.
    1500 SPECIAL TOPICS: AMERICAN 3 CR.
    1505 CULTURAL HISTORY OF U.S. 1885-1905 3 CR.
      Cross-listed with HIST 1681  
    1510 PITTSBURGH ARCHITECTURE/URBANISM 3 CR.
    1511 CULTURAL HISTORY OF U.S. 1830-1861 3 CR.
      Cross-listed with HIST 1680  
    1512 AMERICAN SCULPTURE 3 CR.
    1530 AMERICAN ARCHITECTURE 1: TO CIVIL WAR 3 CR.
    1531 AMERICAN ARCHITECTURE 2: TO TODAY 3 CR.
    1533 THOMAS JEFFERSON, ARCHITECT 3 CR.
    1600 SPECIAL TOPICS: CHINESE 3 CR.
    1601 SPECIAL TOPICS: JAPANESE 3 CR.
    1602 SPECIAL TOPICS: ASIAN 3 CR.
    1605 ANCIENT CHINESE ART 3 CR.
    1610 EARLY CHINESE PAINTING 3 CR.
    1620 LATER CHINESE PAINTING 3 CR.
    1650 CHINESE ARCHEOLOGY 3 CR.
      Cross-listed with ANTH 1524  
    1660 THE NARRATIVE HANDSCROLL IN 12TH-14TH-CENTURY JAPANESE ART 3 CR.
    1675 15TH-16TH-CENTURY JAPANESE ART AND PAINTING 3 CR.
    1680 JAPANESE WOODBLOCK PRINTS 3 CR.
    1700 SPECIAL TOPICS: INDIA 3 CR.
    1701 MIGRATIONS 1 3 CR.
    1702 MIGRATIONS 2 3 CR.
    1800 SPECIAL TOPICS: FILM 3 CR.
    1805 EARLY FRENCH FILM 3 CR.
    1806 AMERICAN INDEPENDENT FILM 3 CR.
    1810 EXPERIMENTAL VIDEO 3 CR.
    1820 DOCUMENTARY FILM 3 CR.
    1880 WORLD CITIES 3 CR.
    1900 ARCHITECTURAL STUDIES INTERNSHIP 3 CR.
    1901 INDEPENDENT STUDY 3 CR.
    1903 HISTORY OF ART AND ARCHITECTURE INTERNSHIP 3 CR.
    1905 HONORS SEMINAR/MAJORS 3 CR.
    1910 SPECIAL TOPICS: ARCHITECTURE 3 CR.
    1911 ARCHITECTURAL SEMINAR: MONOGRAPHIC TOPICS 3 CR.
    1912 ARCHITECTURAL SEMINAR: THEMATIC TOPICS 3 CR.
    1913 ARCHITECTURAL STUDIES SEMINAR 3 CR.
    1915 ARCHITECTURAL STUDIES PORTFOLIO 3 CR.
    1950 SENIOR THESIS 3 CR.
    Seminars are offered in the fields of research of the faculty. All courses other than 2005 (Methods Research and Scholarship) are offered periodically.      
    2005 METHODS RESEARCH AND SCHOLARSHIP 3 CR.
    2006 ART HISTORY WRITING PRACTICUM 3 CR.
    2010 METHODS IN ARCHITECTURAL HISTORY 3 CR. HEARN/TOKER
    2050 THE CITY AS A WORK OF ART 3 CR. TOKER
    2100 SPECIAL TOPICS: ANCIENT 3 CR. WEIS
    2105 MEDIEVAL ARCHITECTURE 3 CR. HEARN
    2130 EARLY CHRISTIAN ARCHITECTURE 3 CR. WILLIAMS
    2140 ARCHITECTURE OF CONSTANTINE 3 CR. WEIS
    2150 ART OF THE CRUSADES 3 CR. WILLIAMS
    2200 SPECIAL TOPICS: MEDIEVAL 3 CR. STONES/WILLIAMS
    2201 SPECIAL TOPICS: ROMANESQUE 3 CR.  
    2202 ENGLISH MEDIEVAL ARCHITECTURE 3 CR. HEARN
    2203 SPECIAL TOPICS: GOTHIC 3 CR.  
    2210 SPANISH ROMANESQUE ART 3 CR. WILLIAMS
    2220 SPANISH MEDIEVAL TOPICS 3 CR. WILLIAMS
    2225 THE PILGRIM'S GUIDE 3 CR. STONES/WILLIAMS
    2230 MEDIEVAL ILLUMINATED MANUSCRIPTS 3 CR. STONES/WILLIAMS
    2250 EARLY GOTHIC ARCHITECTURE 3 CR. HEARN
    2260 CATHEDRAL AND CITY IN MIDDLE AGES 3 CR. HEARN/TOKER
    2300 SPECIAL TOPICS: RENAISSANCE 3 CR. WILKINS
    2301 SPECIAL TOPICS: BAROQUE 3 CR. HARRIS
    2305 CONNOISSEURSHIP 3 CR.  
    2310 ART AND POLITICS IN 17TH-CENTURY ROME 3 CR. HARRIS
    2312 16TH-CENTURY ITALIAN DRAWINGS 3 CR. HARRIS
    2313 16TH-CENTURY ITALIAN DRAWINGS 3 CR.  
    2320 BERNINI AND 17TH-CENTURY SCULPTURE ROME 3 CR. HARRIS
    2350 RENAISSANCE ARCHITECTURE 3 CR. HEARN/TOKER
    2370 SEMINAR EARLY ITALIAN PAINTING 3 CR. WILKINS
    2375 DEVOTIONAL IMAGERY 3 CR. WILKINS
    2380 FLORENTINE RENAISSANCE SCULPTURE 3 CR. WILKINS
    2385 FLORENTINE ART 1400-1430 3 CR. WILKINS
    2390 DONATELLO 3 CR. WILKINS
    2395 RENAISSANCE ROOMS 3 CR. WILKINS
    2400 SPECIAL TOPICS: MODERN ARTS 3 CR. MCCLOSKEY/SHEON
    2401 SPECIAL TOPICS: CONTEMPORARY 3 CR. MCCLOSKEY/SHEON
    2402 IN THE WARHOL MUSEUM 3 CR. SAVAGE
    2410 THE CULTURE OF EXILE: GERMAN EMIGRES IN THE U.S. 3 CR. MCCLOSKEY/HAKE
    2430 18TH-CENTURY ARCHITECTURE 3 CR. HEARN/TOKER
    2440 19TH-CENTURY ARCHITECTURE 3 CR. HEARN/TOKER
    2450 19TH-CENTURY EUROPEAN ART 3 CR. MCCLOSKEY/SHEON
    2460 REALISM 3 CR. MCCLOSKEY/SHEON
    2465 RESEARCH ON 19TH-CENTURY EUROPEAN PAINTING 3 CR.  
    2490 TOPICS IN 20TH-CENTURY ART 3 CR. MCCLOSKEY/SHEON
    2500 SPECIAL TOPICS: AMERICAN 3 CR. SAVAGE
    2501 SPECIAL TOPICS: AMERICAN 2 3 CR.  
    2503 AMERICAN ARCHITECTURE 3 CR. SAVAGE/TOKER
    2505 SEMINAR IN AMERICAN PORTRAITURE 3 CR. SAVAGE
    2510 19TH-CENTURY IMAGES OF AMERICAN WEST 3 CR. SAVAGE
    2520 AMERICAN LANDSCAPE PAINTING 3 CR. SAVAGE
    2530 AMERICAN GENRE PAINTING 3 CR. SAVAGE
    2540 SEMINAR ON WINSLOW HOMER 3 CR. SAVAGE
    2550 "ART OBJECT" IN LATE 19TH-CENTURY AMERICA 3 CR. SAVAGE
    2600 SPECIAL TOPICS: CHINESE 3 CR. LINDUFF
    2601 SPECIAL TOPICS: JAPANESE 3 CR. MCKELWAY
    2602 SPECIAL TOPICS: ASIAN 3 CR. LINDUFF/MCKELWAY
    2603 UKIYO-E TO MODERN JAPANESE PRINTS 3 CR. MCKELWAY
    2604 EAST ASIAN RESEARCH 3 CR.  
    2605 EAST AND SOUTHEAST ASIA BRONZE AGE 3 CR. LINDUFF
    2606 EARLY CHINESE BRONZES 3 CR. LINDUFF
    2607 NORTHEAST ASIAN ART AND PRACTICE IN ANTIQUITY 3 CR.  
    2700 SPECIAL TOPICS: INDIA 3 CR.  
    2800 SPECIAL TOPICS: FILM 3 CR.  

     

    [ Table of Contents | Graduate Arts and Sciences Home | Bulletins Homepage | Next Section ]