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  • English
    Department Chair: David Bartholomae
    Main Office: 526 Cathedral of Learning
    (412) 624-6506 (phone) (412)624-6639 (fax)
    http://www.pitt.edu/~englweb/

    Primary Faculty: Professors ARAC, BARTHOLOMAE (Chair), BOVÉ, BRISCOE, BRUMBLE, DERRICOTTE, EMANUEL (Director, Writing), FEUER, FISCHER (Director, Film Studies), GUTKIND, KNAPP, LANDY, MacCABE, MOONEY, NORDAN, NOVY, OCHESTER, TOBIAS, WEST; Associate Professors BREIGHT, J. CARR, S. CARR, CLARKE, N. COLES, CURRAN, DOBLER, FLANDERS, GLAZENER (Director, Literature), HARRIS (Director, Composition), HELFAND (Director of Graduate Studies), JUDY, KAMEEN, KINDER, R. MARSHALL, PETESCH, SALVATORI, SEARLE, SIMS, P. SMITH, S. SMITH, WION; Assistant Professors ANDRADE, CHEONG, GAMMON, HIGGINS, KRIPS, LUCKETT, M. MARSHALL, McBRIDE, PURI, ROBERTSON, SEITZ, TWYNING; Lecturers ORBACH, PUGLIANO (Academic Advisor), RAWSON

    Affiliated Faculty (Adjunct faculty and those with primary appointments in other areas): Professors BRUTUS (Africana Studies), PETROSKY (Education); Associate Professor BERRIAN (Africana Studies)

    Emeritus Faculty: Professors W. COLES, CULVER, DAVID, EVERT, GALE, GULBRANSON, HINMAN, MARRS, O'BRIEN-SCHAEFER, PHILBRICK, TAUBE, WHITMAN

  • Admission to Graduate Studies
    The department offers an MA, MFA, and PhD in English. The PhD emphasizes cultural and critical studies. Admission to graduate standing in English presupposes an undergraduate major of at least 24 credits in English language and literature courses. Students with fewer credits may be required by their advisor to take certain undergraduate courses to make up their deficiencies.

    All applications for admission to the graduate programs in literature or cultural studies (MA, PhD) must be accompanied by certified scores on the verbal section of the Graduate Record Examination; the Advanced section of the GRE is optional but highly recommended. Those seeking admission to the graduate programs in writing (MFA) must provide the verbal score. Applications for financial aid must be completed before January 15.

    Students should consult the Graduate Student Handbook, available in 526 Cathedral of Learning, for a fuller description of the requirements and procedures for each degree. The minimal requirements for the degrees established by the Graduate Faculty of the University and by FAS Graduate Studies, as described elsewhere in this bulletin, should be read in conjunction with the specific departmental requirements for these degrees in the following sections.

    Graduate courses are also open to qualified persons who may not be formally enrolled in the graduate program; details are available from the departmental office.

  • Graduate Student Support
    With the exception of a few competitive fellowships available throughout the Faculty of Arts and Sciences (primarily for PhD students in their last years), the Department of English can support students with teaching assistantships and, for PhD students, teaching fellowships.

  • Master's Degree Requirements
    Master of Arts
    Course requirements for the MA are as follows: nine English courses (27 credits). Normally, all nine courses shall be taken at the graduate level (2000- and 3000-series).

    For the MA degree, the department requires reading knowledge of one foreign language. French, German, Latin, Classical Greek, Hebrew, Italian, Portuguese, Spanish, and Russian are acceptable languages; others may be offered only with departmental approval. This requirement will be fulfilled by examinations administered by faculty of University language departments or in consultation with members of language departments at other institutions. A student may substitute for the examination a specifically designated graduate course in a language department (requiring extensive translation) passed at the A or B level. Under certain circumstances, language examinations passed at other graduate schools may be applied toward fulfillment of this requirement. The MFA does not include a language requirement.

    The MA examination requirement is satisfied by passing, with a grade of B or higher, four designated graduate courses.

    Students in the MFA program who wish to enter the PhD program will be required to meet the same requirement or they may complete two or three of these courses and submit a portfolio of work (not from creative writing courses) which they have completed in this department.

    MA students who wish to continue for the PhD degree should apply in writing to the department's Director of Graduate Studies by February 1 of the year in which they expect to begin PhD studies. Due to the competitive nature of the program, MA students cannot be guaranteed a place in the PhD program.

  • Master of Fine Arts
    The applicant to the MFA in English should read the department's standard information about admission requirements, regulations, and teaching assistantships and fellowships and should fill out the standard application form for admission to graduate study in the Faculty of Arts and Sciences. The applicant should be familiar with the stipulations that pertain specifically to the writing program and should submit the writing sample, which is described below and in the application to the writing program. The writing sample is particularly important.

    Candidates for admission to the MFA in English need not have been undergraduate writing or English majors but should be prepared to submit a sample of recent writing. Applicants will be judged upon Graduate Record Examination scores (general aptitude only in the writing program), undergraduate grades, recommendations, and–especially–writing samples. The applicant should submit as a writing sample approximately 50 pages in fiction or nonfiction or approximately 20 pages in poetry of his/her best work.

    The MFA in English will be awarded for the completion of a minimum of 36 course credit hours with a minimum quality point average of 3.00, plus the completion of an acceptable final manuscript (details later in this section).

    Twelve of these credits are to be earned in four three-credit writing courses, at least nine of the twelve in workshops in the student's area of major interest (fiction, nonfiction, or poetry), and three in a graduate-level readings course. The graduate-level readings course should be taken as early as possible. The first workshop taken upon the student's entering the program should be one in the area of major interest. (Allowance can be made for a student's possible change of mind about the area of major interest.)

    Twelve of the 36 credits are to be earned in the literature program. Nine are to be earned in English literature courses at the graduate level. A maximum of three may be earned in English or American literature courses at the 1000 level. Twelve elective hours may be taken in literature or writing. (See the Graduate Student Handbook for restrictions on electives.)

    Teaching seminars will not be required of all students; students applying for teaching assistantships or teaching fellowships, however, should note that registration and participation in teaching seminars are required of students holding those positions.

    There are no foreign language requirements for the student in the writing program.

    The final manuscript is equivalent to the MA comprehensive examination. It consists of a book- length manuscript of the student's best work in the area of major interest. The manuscript shall be submitted to a committee of three Department of English faculty members–two writing Graduate Faculty in the student's area of major interest and one member of the literature Graduate Faculty. The student may recommend committee members, but the writing program director has final approval.

  • Doctoral Degree Requirements
    The PhD emphasizes cultural and critical studies and has been designed to address the intellectual opportunities and the professional needs of a discipline experiencing fundamental change. Recognizing the importance of certain kinds of traditional work, as well as the challenge of a number of recent developments, the program is based on a commitment to: (1) ground its teaching and research in a continuing process of self-scrutiny, by serious engagement with the theoretical and critical debates of the time; (2) understand literary texts as historical productions, with the corollary that “high” literature may be read in conjunction with texts traditionally seen as marginal or as not “literary” at all (popular literature, texts by women and minorities, film, discursive writing, student writing, etc.); (3) bring together areas of scholarly inquiry which, for largely institutional reasons, have been kept apart: primarily, composition research and pedagogy dealing with the social constitution of writing, literary and intellectual history, and theoretical inquiry into the power of language and its relationship to social order and social change.

    For the PhD, the student must earn at least 48 credits in addition to those earned for the MA. These must include at least 24 credits in course work and six credits in dissertation research. The remaining 18 credits may be earned either in course work or in dissertation research. Several seminars each year will be held specifically for advanced students. A PhD candidate may not include courses from the 1000 series. The student's advisor may approve courses in other departments if such courses will strengthen the student's program.

    All PhD students are required to teach for at least two terms and to complete successfully the teaching seminar (2510).

    The department requires reading knowledge of two foreign languages or comprehensive command of one language. The language requirement passed at the MA level will partially satisfy the PhD language requirement. Any language relevant to the student's project or, more generally, to the anticipated conditions of future scholarship and teaching may fulfill this requirement. This requirement will be fulfilled by examinations administered by faculty of University language departments or in consultation with members of language departments at other institutions. A student may substitute for the comprehensive command examination a graduate course in a language department (when taught in the language in question) passed at the A or B level. Under certain circumstances, language examinations passed at other graduate schools may be applied toward fulfillment of this requirement. Tools of research other than languages (such as proficiency in computer science) may be substituted for a second language subject to departmental approval.

    As part of learning to initiate a serious critical project, each student, in conjunction with an exam committee, should define the program of study and readings on which he or she would be tested. Work on the exams might well lead fairly directly into the dissertation, but it should not be considered as simply a first attempt at that task. Rather, it should be a broader investigation of topics and issues that might then be the subject of a more detailed written inquiry. Preparation for the exams might well include course work/readings in other disciplines and genealogical research on the topic as well as the traditional literary historical studies.

    The critical project may include composition or film. The department offers an optional minor in composition.

  • Courses
    Undergraduate courses numbered in the 1000 series sometimes may be taken for graduate credit by master's students, but only within the limits listed previously. English departmental undergraduate courses at this level are separated into two distinct series, one for literature and language, the other for writing. Descriptions of these courses are available in the Course Descriptions , which is published just before registration each term.

    A variety of undergraduate courses is offered in each of the following categories each term: introductory literature courses, theories of literature and culture, British literature, American literature, fantasy, myth, folktale, international Modernism/Postmodernism, film, language, genre, mode, specialized textual practices, gender, race, class, nation, popular culture, theme and interdisciplinary, Senior Seminar, and English writing.

    Graduate courses, numbered 2000 and higher, vary greatly from term to term. The following list includes all seminars offered in recent years. In the average term, a dozen or more courses or seminars in literature and in writing are available, as well as one or two teaching seminars. Students should consult the Schedule of Classes and the Course Descriptions published prior to the term for which they are registering.

    Advising: Fiore Pugliano, who is knowledgeable about the curriculum, program requirements, departmental policies, and procedures, is the academic advisor for graduate students.

    English Literature
    2010 INTRODUCTION TO MODERN CRITICAL PRACTICE 3 CR.
    2011 ISSUES IN CULTURAL STUDIES 3 CR.
    2012 INTRODUCTION TO CRITICAL/CULTURAL STUDY 3 CR.
    2013 CRITICISM IN SOCIETY 3 CR.
    2017 READER-RESPONSE CRITICISM 3 CR.
    2018 RECEPTION THEORIES 3 CR.
    2020 IDEOLOGY AND CRITICISM 3 CR.
    2021 HISTORY AND SPECTACLE 3 CR.
    2022 POST STRUCTURALISM 3 CR.
    2027 ROLAND BARTHES AND CULTURAL CRITICISM 3 CR.
    2028 HISTORY AND PHILOSOPHY OF ECONOMICS 3 CR.
    2029 READINGS IN CRITICAL THEORY 3 CR.
    2031 GENDER IN LITERATURE 3 CR.
    2032 GENDER AND DISCOURSE 3 CR.
    2033 FEMINIST THEORY 3 CR.
    2034 WOMEN AND LITERACY 3 CR.
    2035 BLACK LITERARY CRITICISM AND THEORY 3 CR.
    2040 INSTITUTIONS OF LITERATURE 3 CR.
    2043 THEORY OF POPULAR CULTURE 3 CR.
    2045 PHILOSOPHY OF SCIENCE IN THE HUMANITIES 3 CR.
    2052 DEFOE AND SWIFT 3 CR.
    2053 METAPHOR AND CRITICAL THEORY 3 CR.
    2105 MIDDLE ENGLISH LITERATURE 3 CR.
    2106 MEDIEVAL LITERATURE AND CULTURE 3 CR.
    2107 SOCIETY AND DISSENT IN EARLY ENGLISH LITERATURE 3 CR.
    2108 ARTHURIAN LITERATURE 3 CR.
    2109 EPIC BACKGROUND 3 CR.
    2110 HISTORY AND REPRESENTATION 3 CR.
    2115 CHAUCER 3 CR.
    2118 ALLEGORY AND ICONOGRAPHY 3 CR.
    2120 EARLY MODERN LONDON 3 CR.
    2125 ENGLISH RENAISSANCE 3 CR.
    2126 SHAKESPEARE 3 CR.
    2127 SHAKESPEARE, CINEMA AND SOCIETY 3 CR.
    2128 RENAISSANCE DISCOURSES OF GENDER 3 CR.
    2132 ELIZABETHAN AND JACOBEAN DRAMA 3 CR.
    2133 17TH-CENTURY POETRY 3 CR.
    2140 MILTON 3 CR.
    2143 DEBAUCHED PURITAN 3 CR.
    2150 RESTORATION AND THE 18TH CENTURY 3 CR.
    2151 18TH-CENTURY BRITISH SOCIAL THEORY 3 CR.
    2154 SOCIAL THEORY 18TH-CENTURY NOVEL 3 CR.
    2155 SENSIBILITY 3 CR.
    2156 THE CULTURE OF ADVICE 3 CR.
    2160 BLAKE 3 CR.
    2170 BRITISH ROMANTICS 3 CR.
    2175 VICTORIAN WOMEN NOVELISTS 3 CR.
    2176 19TH-CENTURY BRITISH NOVEL 3 CR.
    2177 DICKENS 3 CR.
    2178 THE VICTORIAN AGE AND AFTER 3 CR.
    2190 1890S REPRESENT FIN DE SIECLE 3 CR.
    2202 CONCEPTUALIZING TRADITIONS 3 CR.
    2205 RECONSTRUCTING AMERICAN LITERATURE 3 CR.
    2208 CULTURE OF AMERICAN LITERACY 3 CR.
    2210 AMERICAN RENAISSANCE 3 CR.
    2211 "SCRIBBLING WOMEN"/CLASSIC AMERICAN AUTHORS 3 CR.
    2213 AMERICAN TRANSCENDENTAL THEORY OF LANGUAGE 3 CR.
    2215 LITERATURE AND CULTURE OF THE SOUTH 3 CR.
    2221 LITERATURE OF REFORM 1820-1890 3 CR.
    2223 LITERATURE AND HEGEMONY 3 CR.
    2230 ANGLO-AMERICAN CULTURAL EXCHANGE 3 CR.
    2231 BLOOD, CLASS AND NOSTALGIA 3 CR.
    2235 PERIODICALS AND THE PUBLIC 3 CR.
    2243 NEW WORLD SLAVE NARRATIVES 3 CR.
    2245 BLACK LITERATURE 3 CR.
    2246 LITERARY IMAGES: AFRO-AMERICAN ARTISTS 3 CR.
    2247 AFRICAN-AMERICAN AUTOBIOGRAPHY 3 CR.
    2248 ABOLITIONIST DISCOURSE 3 CR.
    2250 20TH-CENTURY AMERICAN LITERATURE 3 CR.
    2251 U.S. CULTURE 1929-1973 3 CR.
    2255 AMERICAN DRAMA 3 CR.
    2256 DRAMATIZING AMERICAN WOMEN 3 CR.
    2257 DISCIPLINING AMERICAN DRAMA 3 CR.
    2280 CONTEMPORARY AMERICAN NOVEL 3 CR.
    2282 HISTORY OF AMERICAN FILM 1 3 CR.
    2285 RACE AND GENDER IN 20TH-CENTURY POETRY 3 CR.
    2320 THE AVANT-GARDE 3 CR.
    2325 MODERNISM 3 CR.
    2326 MODERN POETRY 3 CR.
    2329 CONTEMPORARY NOVEL 3 CR.
    2350 POSTMODERNISM 3 CR.
    2382 IRISH LITERARY REVIVAL 3 CR.
    2385 POST-COLONIAL DISCOURSE AND CULTURAL CRITIQUE 3 CR.
    2387 IMPERIALISM AND MODERNITY 3 CR.
    2388 THIRD WORLD FEMINISMS 3 CR.
    2389 THIRD WORLD LITERATURE 3 CR.
    2390 HISTORY OF COLONIALISM 1492-PRESENT 3 CR.
    2391 WOMEN WRITERS FROM AFRICA AND THE DIASPORA 3 CR.
    2392 LITERATURE OF SLAVERY 3 CR.
    2393 AFRICAN NARRATIVES 3 CR.
    2394 DIASPORA AND TRANSNATIONAL IDENTITY 3 CR.
    2451 FILM HISTORY/THEORY 3 CR.
    2460 FILM AND LITERATURE 3 CR.
    2461 GENRE AND FILM 3 CR.
    2462 COMIC THEORY AND THE CINEMA 3 CR.
    2463 CINEMA AND NATION 3 CR.
    2464 MASCULINITY IN CINEMA 3 CR.
    2465 CINEMA, COMEDY AND SOCIETY 3 CR.
    2466 FILM AND MODERNISM 3 CR.
    2470 WOMEN AND FILM 3 CR.
    2471 MATERNAL DISCOURSE IN FILM/LITERATURE 3 CR.
    2472 BLACK IMAGES IN AMERICAN CINEMA 3 CR.
    2477 CLASSICAL HOLLYWOOD CINEMA 3 CR.
    2480 FILM DIRECTORS 3 CR.
    2510 SEMINAR IN TEACHING COMPOSITION 3 CR.
    2511 SEMINAR IN TEACHING ENGLISH 3 CR.
    2514 SEMINAR IN TEACHING BASIC WRITING 3 CR.
    2516 PROFESSIONALISM AND THE AMERICAN UNIVERSITY 3 CR.
    2518 WESTERN PA WRITING PROJECT SUMMER INSTITUTE FOR TEACHERS 3 CR.
    2519 WRITING AND AGITATIONS OF POWER 3 CR.
    2520 WRITING AS TEACHERS 3 CR.
    2525 COMPOSITION STUDIES 3 CR.
    2529 DESIGNING FICTION FOR TEACHING COMPOSITION 3 CR.
    2531 SEQUENCING 3 CR.
    2533 ADVANCED RESEARCH IN COMPOSITION 3 CR.
    2535 FORMATIVE/SUMMATIVE EVALUATION OF WRITING 3 CR.
    2538 LITERATURE AND INSTRUCTION 3 CR.
    2539 BROKEN ENGLISH 3 CR.
    2540 WRITING AND DIFFERENCE 3 CR.
    2541 WPWP ADVANCED INSTITUTE 3 CR.
    2565 PRODUCING BOOKS, PRODUCING SUBJECTS 3 CR.
    2566 FIGURING WRITING 3 CR.
    2567 PRACTICES AND TEXTS 3 CR.
    2568 STYLISTICS: COMPOSING SENTENCES 3 CR.
    2581 MATERIALS AND METHODS 3 CR.
    2584 PROSEMINAR 1 3 CR.
    2585 PROSEMINAR 2 3 CR.
    2589 TOPICS IN ENGLISH STUDIES 3 CR.
    2590 PROJECT RESEARCH SEMINAR 3 CR.
    2601 COMEDY 3 CR.
    2602 TRAGEDY 3 CR.
    2603 SATIRE 3 CR.
    2604 FROM HEROIC TO MOCK HEROIC 3 CR.
    2609 MELODRAMA 3 CR.
    2610 THE NOVEL: TEXTS AND THEORY 3 CR.
    2611 THE SELF AS CHILD 3 CR.
    2612 FASCISM AND EURO-AMERICAN LITERATURE 3 CR.
    2615 IMPERIALISM AND CHILDHOOD 3 CR.
    2621 SEMINAR: SHAW 3 CR.
    2622 SEMINAR IN IBSEN 3 CR.
    2641 MEMORY, NARRATIVE, NOSTALGIA 3 CR.
    2648 MISRECOGNITION OF INNOCENCE 3 CR.
    2700 SEMINAR IN RHETORIC AND LITERACY 3 CR.
    2900 MUSEUM INTERNSHIP-FILM VIDEO 1 3 CR.
    2901 MUSEUM INTERNSHIP-FILM VIDEO 2 3 CR.
    2970 TEACHING OF ENGLISH 3 CR.
    2990 INDEPENDENT STUDY 1-6 CR.
    3000 RESEARCH AND DISSERTATION FOR THE PHD DEGREE 1-12 CR.
    3010 DISSERTATION WORKSHOP 3 CR.
    3018 THEORIES OF RECEPTION 3 CR.
    3101 DISCOURSE OF PRIMITIVISM 3 CR.
    3103 LITERATURE OF SLAVERY 3 CR.
    3104 MADE IN U.S.A.: AMERICAN FRENCH CULTURE, 1945-1968 3 CR.
    3113 PRE-ENLIGHTENMENT CRITICISM 3 CR.
    3120 MARX 3 CR.
    3121 MARXIST LITERARY CRITICISM 3 CR.
    3125 DERRIDA 3 CR.
    3126 WALTER BENJAMIN 3 CR.
    3128 HISTORICAL DISCOURSES OF GENDER 3 CR.
    3130 INTERROGATING CANONICITY 3 CR.
    3141 INTELLECTUALS 3 CR.
    3143 CRITIQUE OF HUMANISM 3 CR.
    3145 THEORY AND EMERGENT SUBJECTS 3 CR.
    3150 LITERACY AND PEDAGOGY 3 CR.
    3155 HISTORY OF RHETORIC 3 CR.
    3160 FILM THEORY/LITERARY THEORY 3 CR.
    3161 CINEMA AND DESIRE 3 CR.
    3165 THEORIES OF NATIONAL CINEMA 3 CR.
    3167 NATIONALISM AND SEXUAL POLITICS 3 CR.
    3169 TOPICS IN 19TH-CENTURY CULTURE 3 CR.
    3205 HENRY ADAMS 3 CR.
    3300 COMPOSITION: HISTORY, THEORY AND PRACTICE 3 CR.
    3461 GENRE AND FILM MELODRAMA 3 CR.
    3475 THE BODY IN THE CINEMA 3 CR.
    3589 ADVANCED TOPICS IN ENGLISH STUDIES 3 CR.
    3902 DIRECTED STUDY FOR PHD STUDENT 1-6 CR.

    English Writing
    2010 FICTION WORKSHOP 3 CR.
    2080 GRADUATE PLAYWRITING 3 CR.
    2092 WRITER'S JOURNALS 3 CR.
    2094 READINGS IN CONTEMPORARY FICTION 3 CR.
    2095 TOPICS IN FICTION 3 CR.
    2210 POETRY WORKSHOP 3 CR.
    2290 READINGS IN CONTEMPORARY POETRY 3 CR.
    2291 UNDERGROUND AND AVANT-GARDE 3 CR.
    2292 CONTEMPORARY POETRY IN TRANSLATION 3 CR.
    2293 TOPICS IN POETRY 3 CR.
    2310 NON-FICTION WORKSHOP 3 CR.
    2390 READINGS IN CONTEMPORARY NON-FICTION 3 CR.
    2392 DOCUMENTARY FILM WRITING  3 CR.
    2400 TOPICS IN NON-FICTION: MAGAZINE 3 CR.
    2401 TOPICS IN NON-FICTION: ELECTRONIC MEDIA 3 CR.
    2402 TOPICS IN NON-FICTION: NEWSPAPER 3 CR.
    2970 TEACHING OF ENGLISH 3 CR.
    2990 INDEPENDENT STUDY 1-6 CR.
    3009 DIRECTED STUDY 1-6 CR.

                                                            
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